0MORE

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	<title>0MORE</title>
	<link>https://0more.net</link>
	<description>0MORE</description>
	<pubDate>Mon, 03 Mar 2025 10:26:24 +0000</pubDate>
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		<title>0more_home</title>
				
		<link>https://0more.net/0more_home</link>

		<pubDate>Mon, 03 Mar 2025 10:26:24 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

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&#60;img width="2000" height="2828" width_o="2000" height_o="2828" data-src="https://freight.cargo.site/t/original/i/d3e3fa7dd6a8db27806e6140999720df658d914bb596a8d1ec174950ec42adf9/raumgestaltung_ss.jpg" data-mid="245786335" border="0" alt="RAUMGESTALTUNG 26SS" data-caption="RAUMGESTALTUNG 26SS" src="https://freight.cargo.site/w/1000/i/d3e3fa7dd6a8db27806e6140999720df658d914bb596a8d1ec174950ec42adf9/raumgestaltung_ss.jpg" /&#62;
&#60;img width="1500" height="2122" width_o="1500" height_o="2122" data-src="https://freight.cargo.site/t/original/i/1ed32e8eafc9a5debd0713dc749d63e3a55157f0542508c8967cf5985f5dc14d/s6_synthetic.jpg" data-mid="237953047" border="0" alt="DESIGN STUDIO" data-caption="DESIGN STUDIO" src="https://freight.cargo.site/w/1000/i/1ed32e8eafc9a5debd0713dc749d63e3a55157f0542508c8967cf5985f5dc14d/s6_synthetic.jpg" /&#62;
&#60;img width="7016" height="9921" width_o="7016" height_o="9921" data-src="https://freight.cargo.site/t/original/i/ea020c6408140f998bc5ce4d46e6c1056dda4246f37c12fffdf1e0856852904a/phd_symposium_abstractions_poster.png" data-mid="240902416" border="0" alt="PHD SYMPOSIUM" data-caption="PHD SYMPOSIUM" src="https://freight.cargo.site/w/1000/i/ea020c6408140f998bc5ce4d46e6c1056dda4246f37c12fffdf1e0856852904a/phd_symposium_abstractions_poster.png" /&#62;
&#60;img width="1500" height="2121" width_o="1500" height_o="2121" data-src="https://freight.cargo.site/t/original/i/d7a25a9cc9874d97ceb91e5849328a0686a53eb8dc635158a92068f335832e77/pollution.jpg" data-mid="227508697" border="0" alt="DESIGN STUDIO" data-caption="DESIGN STUDIO" src="https://freight.cargo.site/w/1000/i/d7a25a9cc9874d97ceb91e5849328a0686a53eb8dc635158a92068f335832e77/pollution.jpg" /&#62;
&#60;img width="1500" height="2121" width_o="1500" height_o="2121" data-src="https://freight.cargo.site/t/original/i/c8f34f056057621e9ee4160bd77cab218dfd80291db3c1f6518f172a07720901/DIPLOMA.jpg" data-mid="227509198" border="0" alt="DIPLOMA" data-caption="DIPLOMA" src="https://freight.cargo.site/w/1000/i/c8f34f056057621e9ee4160bd77cab218dfd80291db3c1f6518f172a07720901/DIPLOMA.jpg" /&#62;
&#60;img width="1500" height="2121" width_o="1500" height_o="2121" data-src="https://freight.cargo.site/t/original/i/cb7d7f727a4d008de6263ecd2c6e19efd0c8b46608e2eaf1a898231bad2be823/TRUTH.jpg" data-mid="227508715" border="0" alt="SEMINAR" data-caption="SEMINAR" src="https://freight.cargo.site/w/1000/i/cb7d7f727a4d008de6263ecd2c6e19efd0c8b46608e2eaf1a898231bad2be823/TRUTH.jpg" /&#62;
&#60;img width="1500" height="2121" width_o="1500" height_o="2121" data-src="https://freight.cargo.site/t/original/i/a80cbeca7bbba561a3ed5a458b4adf017a3a3154bf53964812a4cdc98bb8f905/religion_poster_s.jpg" data-mid="227508698" border="0" alt="DESIGN STUDIO" data-caption="DESIGN STUDIO" src="https://freight.cargo.site/w/1000/i/a80cbeca7bbba561a3ed5a458b4adf017a3a3154bf53964812a4cdc98bb8f905/religion_poster_s.jpg" /&#62;
&#60;img width="2500" height="3535" width_o="2500" height_o="3535" data-src="https://freight.cargo.site/t/original/i/b5d6d32f8c1725176b65e8adda1e4902e496bce46f800f57b0055ada194c84fc/flowers_s.png" data-mid="227505428" border="0" alt="DESIGN STUDIO" data-caption="DESIGN STUDIO" src="https://freight.cargo.site/w/1000/i/b5d6d32f8c1725176b65e8adda1e4902e496bce46f800f57b0055ada194c84fc/flowers_s.png" /&#62;
&#60;img width="1768" height="2500" width_o="1768" height_o="2500" data-src="https://freight.cargo.site/t/original/i/dc32831e71b970347feab0447a40c80a1b085210796e887be77583783171e828/parasite_s.png" data-mid="227505405" border="0" alt="DESIGN STUDIO" data-caption="DESIGN STUDIO" src="https://freight.cargo.site/w/1000/i/dc32831e71b970347feab0447a40c80a1b085210796e887be77583783171e828/parasite_s.png" /&#62;
&#60;img width="1346" height="1912" width_o="1346" height_o="1912" data-src="https://freight.cargo.site/t/original/i/cd23a6daad85caebcc37c1eb5662b611a6bc71c04e1c58d29693794bdbaa4445/Screenshot-2024-04-03-at-18.22.29.png" data-mid="227505468" border="0" alt="SYMPOSIUM" data-caption="SYMPOSIUM" src="https://freight.cargo.site/w/1000/i/cd23a6daad85caebcc37c1eb5662b611a6bc71c04e1c58d29693794bdbaa4445/Screenshot-2024-04-03-at-18.22.29.png" /&#62;
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/bdeac7692b2c8aa9bc5729e97dede3eda93ee782c91c52be47db343ab8f44ca0/3KiAHbBp.png" data-mid="227505467" border="0" alt="SEMINAR" data-caption="SEMINAR" src="https://freight.cargo.site/w/1000/i/bdeac7692b2c8aa9bc5729e97dede3eda93ee782c91c52be47db343ab8f44ca0/3KiAHbBp.png" /&#62;
&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/1bea81ccf694f5b049d96ada7708db39473ebaf35f9b91767863c087234ab5e6/doyle_0more.jpg" data-mid="234402149" border="0" alt="GUEST TALK" data-caption="GUEST TALK" src="https://freight.cargo.site/w/1000/i/1bea81ccf694f5b049d96ada7708db39473ebaf35f9b91767863c087234ab5e6/doyle_0more.jpg" /&#62;


🌸️🌸️ The House Of Coaded Objects&#38;nbsp;🌸️🌸️


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		<title>about</title>
				
		<link>https://0more.net/about</link>

		<pubDate>Fri, 04 Mar 2022 07:21:46 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

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0MORE is the design studio of The House Of Coded Objects,&#38;nbsp;at&#38;nbsp;Studio2&#38;nbsp; at the Insitut für Gestaltung of UIBK. It is run by Ass. Prof. Dr.&#38;nbsp;Miro Roman &#38;amp;
Dr. Clemens Plank RELIGION 2023/24, 
Anirudhan Iyengar FLOWERS 2023, POLLUTION 2025Dr. Jorge Orozco PARASITE 2022/23
Studio0MORE uses Artificial Intelligence to deal and articulate online information in large quantities. We write TEXTS to constitute our projects. We create MOVIES to temper them. We develop MODELS to enact them. We navigate all media to weave a sophisticated, multi-layered cosmos around our projects. We call all of this ARCHITECTURE.


For Studio0MORE, today’s connected world requires the architect to be a digitally literate persona and nimble in addressing the ideas that challenge the world on a global scale, in the same manner as the 2,000 year old tradition of architecture treatises demands from itself.


The goals of the studio 0MORE are:Identify and construct an understanding of today’s technologies.Develop methodologies to design architecture with an abundance of online information.Perform delicate balances between Artificial Intelligence and Human Intelligence.Assess the importance of being a digitally literate architect today.


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		<title>DIPLOMA</title>
				
		<link>https://0more.net/DIPLOMA</link>

		<pubDate>Wed, 15 Mar 2023 12:54:31 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

		<guid isPermaLink="true">https://0more.net/DIPLOMA</guid>

		<description>


&#38;nbsp;✨️ DIPLOMA&#38;nbsp;✨️💦️

	
&#60;img width="490" height="566" width_o="490" height_o="566" data-src="https://freight.cargo.site/t/original/i/4afd176613e625491ddf4e4a21b5b80187e4fbc248bd36baaf231e4934f8ccea/0n-humor.png" data-mid="235319335" border="0" alt="ON HUMOR by Wiktoria Sadlo" data-caption="ON HUMOR by Wiktoria Sadlo" src="https://freight.cargo.site/w/490/i/4afd176613e625491ddf4e4a21b5b80187e4fbc248bd36baaf231e4934f8ccea/0n-humor.png" /&#62;

&#60;img width="4392" height="5501" width_o="4392" height_o="5501" data-src="https://freight.cargo.site/t/original/i/c2d4039e08f89edfe20116ae12b56d791bffc4d11a668a5af91d56d0573d9515/cover2.jpg" data-mid="235319340" border="0" alt="APORIA by Louisa Sommer" data-caption="APORIA by Louisa Sommer" src="https://freight.cargo.site/w/1000/i/c2d4039e08f89edfe20116ae12b56d791bffc4d11a668a5af91d56d0573d9515/cover2.jpg" /&#62;
&#60;img width="1920" height="1236" width_o="1920" height_o="1236" data-src="https://freight.cargo.site/t/original/i/a978b1987af6247d239320c7d0719602687eee4d9856bb94032d80fe46381b19/Kahlert_POUT.gif" data-mid="217954480" border="0" alt="PARLIAMENT OF UNRELATED THINGS by Michelle Kahlert" data-caption="PARLIAMENT OF UNRELATED THINGS by Michelle Kahlert" src="https://freight.cargo.site/w/1000/i/a978b1987af6247d239320c7d0719602687eee4d9856bb94032d80fe46381b19/Kahlert_POUT.gif" /&#62;
&#60;img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/23f02ee10c687207f7c6bdeee7775327acc4c602a39acf3d1fb6deb67f9e537c/1-shot.png" data-mid="217954481" border="0" alt="EMULATION by Vladimir Rajkovic" data-caption="EMULATION by Vladimir Rajkovic" src="https://freight.cargo.site/w/1000/i/23f02ee10c687207f7c6bdeee7775327acc4c602a39acf3d1fb6deb67f9e537c/1-shot.png" /&#62;

&#60;img width="4444" height="4409" width_o="4444" height_o="4409" data-src="https://freight.cargo.site/t/original/i/4df84ac8e9f856f75301ca4398d8d0d276f2c796b67faabb6513b58020bc0781/Cover-Option-01.png" data-mid="171757577" border="0" alt="PLASTICITY by Vanessa Wagner" data-caption="PLASTICITY by Vanessa Wagner" src="https://freight.cargo.site/w/1000/i/4df84ac8e9f856f75301ca4398d8d0d276f2c796b67faabb6513b58020bc0781/Cover-Option-01.png" /&#62;

&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/353f18c59adca30c79576838c0d9cb91120d8448679eb94547d59bce66d49772/cover-image.jpg" data-mid="173781233" border="0" alt="VILLA DEVIL by Daniela Aichner" data-caption="VILLA DEVIL by Daniela Aichner" src="https://freight.cargo.site/w/1000/i/353f18c59adca30c79576838c0d9cb91120d8448679eb94547d59bce66d49772/cover-image.jpg" /&#62;
&#38;nbsp; 

🔗 Aichner_VILLA DE VIL pdf🔗 Sadlo_ON HUMOR pdf

🔗 Wagner_CIRCLE OF PLASTICITY pdf


DIPLOMA PROJECTS AT House Of Coded Objects&#38;nbsp;


text

video

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; scenography&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; model


“Bouquet expresses a product, an intersection that defies analysis.” 

Serres, The Five Senses


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	<item>
		<title>s2e1</title>
				
		<link>https://0more.net/s2e1</link>

		<pubDate>Tue, 07 Mar 2023 17:47:17 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

		<guid isPermaLink="true">https://0more.net/s2e1</guid>

		<description>
thursdays at 10.00, UIBK, StudioZwei and on ZOOM ID: 526 229 0223&#60;img width="3014" height="886" width_o="3014" height_o="886" data-src="https://freight.cargo.site/t/original/i/270a385a55d93d689acbb0a7634fd6e8478e2ed0e3b9850a37b792c895425b99/flower.png" data-mid="170874930" border="0"  src="https://freight.cargo.site/w/1000/i/270a385a55d93d689acbb0a7634fd6e8478e2ed0e3b9850a37b792c895425b99/flower.png" /&#62;

🌸️ E1 ON BRANDS AND FIGUREStext constitutes the brand, trailer sets the stage, the flower emerges🌸️ the flower, the bouquet, the garden


Always eternally covered in flowers.

There is in the sensual a delicacy that does not remain, a bouquet, a conversation   a joy that does not linger.


A bouquet is not just a mass of flowers, a simple multiplicity, but a bundle tied together, held by string or thread or the neck of a vase.


The bouquet does not produce language, but brings about conversation&#38;nbsp; the consummate, perfumed art of the ephemeral, fleeting, indestructible spirit.


A bouquet of times.
Serres, The Five Senses


William of BaskervilleGoesSilicone Valley


Write a text

Make The videoPlay them together


Part 1
The Constitution
The Text
1500 words 
30 references
Part 2
The Face
The Trailer3min


🌸️ PART1: UNFOLDING: THE CONSTITUTION: THE TEXT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
A FACE, A RITUAL, THAT TALKS AND SINGS, ABOUT CITYNESS, IN URBANITY
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ABOUT ARTICULATING IDENTITY, SECRECY, BRANDING, MASK, THEATRE, RITUALS, FORMS
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; WHERE IS IT, AND WHO ARE ITS FRIENDS?
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A) CONCEPTUALISE THE FACE OF THE EDIFICE
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; B) DEVELOP ITS RITUALS.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; C) WHAT DOES IT WANT TO SAY TO THE WORLD?
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; D) WHICH CONCEPTS IT WANTS TO EXPOSE?
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; E) HOW DOES IT PRACTICE CITYNESS 


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A BODY, A CONSTITUTION, THAT THINKS AND PLAYS, IN PRIVATE, ABOUT GLOBALITY
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ABOUT FORGETTING INFRASTRUCTURE, URBANISM, SUSTAINABILITY, MARKETING, ANALYSIS
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; WHAT IS IT, AND WHO ARE ITS ENEMIES?
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A) CONCEPTUALISE THE BODY OF THE EDIFICE,
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; B) DEVELOP ITS CONSTITUTION.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; C) HOW DOES IT WANT TO LIVE?
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; D) WHICH CONCEPTS IT WANTS TO EXPLORE?
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; E) HOW DOES IT THINK CITYNESS

YOU, ALICE_CH3N81 AND CHATGPT
WRITE TOGETHER WITH PROMINENT ARCHITECTS, PHILOSOPHERS AND SCIENTISTS.
WRITE BY TALKING TO MORE THAN 1000 BOOKS.
WRITE IN SOMEONE ELSE’S TERMS.&#38;nbsp; &#38;nbsp;part2: the crystal: the face: the trailer

the protagonist
the conflict
the promise
you and panoramas of cinema


&#60;img width="220" height="344" width_o="220" height_o="344" data-src="https://freight.cargo.site/t/original/i/ce3e5729c37353be2c6c61c2541fc6558caa43b2157cc5d5954d0739c4f8d294/Name_of_rose_movieposter.jpg" data-mid="170997929" border="0"  src="https://freight.cargo.site/w/220/i/ce3e5729c37353be2c6c61c2541fc6558caa43b2157cc5d5954d0739c4f8d294/Name_of_rose_movieposter.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/34d881c4d7a8d3c8cb94a36b649a696a31a23c2729186cd96a58ae8998352081/The_Name_of_the_Rose-942441096-large.jpg" data-mid="170998014" border="0"  src="https://freight.cargo.site/w/1000/i/34d881c4d7a8d3c8cb94a36b649a696a31a23c2729186cd96a58ae8998352081/The_Name_of_the_Rose-942441096-large.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f328ce5e49bb05dff23766d6efb3387bb15ef4a706a8ba994c3bf01ce32405b7/The_Name_of_the_Rose-529731201-large.jpg" data-mid="170998008" border="0"  src="https://freight.cargo.site/w/1000/i/f328ce5e49bb05dff23766d6efb3387bb15ef4a706a8ba994c3bf01ce32405b7/The_Name_of_the_Rose-529731201-large.jpg" /&#62;


🌸️ PROTAGONIST
William of Baskerville from “The Name of the Rose”&#38;nbsp; book, movie
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Books by Umberto Eco

🌸️&#38;nbsp;SITE&#38;nbsp;
San Jose, CA 95112, United States 

 (37.337162, -121.884772)

&#60;img width="669" height="446" width_o="669" height_o="446" data-src="https://freight.cargo.site/t/original/i/2141ba441a642f16588a401fd0ad8455b62f4417c1c9e6014f1db0c2a3cf2134/41.jpg" data-mid="171011514" border="0"  src="https://freight.cargo.site/w/669/i/2141ba441a642f16588a401fd0ad8455b62f4417c1c9e6014f1db0c2a3cf2134/41.jpg" /&#62;


We think of buildings and spaces as surroundings that entangle the character's persona and components and functions that are themselves in flux. Spaces are actual physical continuations of the dialogues and tales that occur among the people who either stay in the hotel, exchange thoughts in the caravanserai, think in the monastery or meditate in the pantheon.

&#60;img width="1740" height="966" width_o="1740" height_o="966" data-src="https://freight.cargo.site/t/original/i/affdd8c1074533ac1c2f2536b003ea39caefd16ed5034eaf13c77ac6a1b3f13d/Map-1-01-01.jpg" data-mid="171012079" border="0"  src="https://freight.cargo.site/w/1000/i/affdd8c1074533ac1c2f2536b003ea39caefd16ed5034eaf13c77ac6a1b3f13d/Map-1-01-01.jpg" /&#62;


🌸️ RESOURCESASSIGNMENTDELIVERABLES&#38;nbsp;&#38;nbsp; &#38;nbsp;  &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;text (examples, ito, ff, PAB)writing mechanics
trailer (examples)video mechanics 
tutorialsblog (hotglue.me, list of blogs)examples meteora.ch 


THE PLENTYpart1
xenotheka
ask.alice-ch3n81
ngram
etymonline
thesaurus
libgenchatGPT
tutorials
part2 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
panoramas of cinema&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; davinci resolve tutorials &#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; digitalpentecost.online/0more-s2

panorama.panoramasofcinema.ch&#38;nbsp; &#38;nbsp;Runway - Everything you need to make anything you want. (runwayml.com)


other
SEARCH.0MORE.NET
PANORAMA.PANORAMASOFCINEMA.CH
PARADISO.PANORAMASOFCINEMA.CHMARK.DIGITALPENTECOST.ONLINEMETEORA.CH


YOUTUBE
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; HCO
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ATTP
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; CAAD

🌸️ SCHEDULE&#38;nbsp;


&#38;nbsp; &#38;nbsp; 1.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 09.03.2023&#38;nbsp;S2E1 Studio Introduction recording &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 

&#38;nbsp; &#38;nbsp; 2.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 16.03.2023 &#38;nbsp;&#38;nbsp; 
recording


&#38;nbsp; &#38;nbsp; 3.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 23.03.2023 &#38;nbsp;&#38;nbsp; 
recording


&#38;nbsp; &#38;nbsp; 4.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 30.03.2023 Introduction to Video : Jorge Orozco&#38;nbsp;

recording


06.04.2023


---Easter Break---


13.04.2023


---Easter Break---


&#38;nbsp; &#38;nbsp; 5.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 20.04.2023&#38;nbsp; &#38;nbsp;recording part1 part2


&#38;nbsp; &#38;nbsp; 6.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 27.04.2023&#38;nbsp; &#38;nbsp;recording part1 part2
&#38;nbsp; &#38;nbsp; 7.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;04.05.2023&#38;nbsp; at 10.00&#38;nbsp;Midterm Reviews with Ricardo Villa, Adil Bokhari, Mathias Bank&#38;nbsp;&#38;nbsp; &#38;nbsp; recording part1 part2&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


&#38;nbsp; &#38;nbsp; 8.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 11.05.2023&#38;nbsp;

S2E2 Introduction + Guest Talk at 17.00: Kulturfolger Petra Tomljanovic: Convivio


18.05.2023 moved to 17.05.2022


&#38;nbsp; &#38;nbsp; 9.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 25.05.2023


&#38;nbsp; &#38;nbsp; 10.&#38;nbsp; &#38;nbsp; &#38;nbsp; 01.06.2023


08.06.2023 ------------------------


&#38;nbsp; &#38;nbsp; 11.&#38;nbsp; &#38;nbsp; &#38;nbsp; 15.06.2023


&#38;nbsp; &#38;nbsp; 12.&#38;nbsp; &#38;nbsp; &#38;nbsp; 22.06.2023


&#38;nbsp; &#38;nbsp; 13.&#38;nbsp; &#38;nbsp; &#38;nbsp; 29.06.2023

Final Presentation
🌸️ MIDTERM REVIEWS&#38;nbsp;
04.05.2023&#38;nbsp; at 10.00&#38;nbsp;
with Ricardo Villa, Adil Bokhari, Mathias Bankrecording part1 part2

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;10.00&#38;nbsp; &#38;nbsp; Introduction
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; 10.30&#38;nbsp; &#38;nbsp;Acar Tamer
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; 11.15&#38;nbsp; &#38;nbsp; &#38;nbsp;Hofer Philipp&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 12.00 &#38;nbsp; Fornwagner Samuel&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; 12.45&#38;nbsp; &#38;nbsp; Lunch&#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;14.00&#38;nbsp; Kahlert Antonia Michelle&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 14.45&#38;nbsp; Özkan Muhammed Atakan&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 15.30&#38;nbsp; Rajkovic Vladimir&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 16.15&#38;nbsp; &#38;nbsp;Schönberger Christin&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 17.00&#38;nbsp; Wiktoria Sadlo&#38;nbsp; &#38;nbsp; &#38;nbsp; 17.45&#38;nbsp; &#38;nbsp; Apero
&#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>s2e2</title>
				
		<link>https://0more.net/s2e2</link>

		<pubDate>Mon, 08 May 2023 19:20:24 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

		<guid isPermaLink="true">https://0more.net/s2e2</guid>

		<description>

&#60;img width="706" height="372" width_o="706" height_o="372" data-src="https://freight.cargo.site/t/original/i/9b3624847c95587713a20aeccc15d24d3b64eaf187ff23fb44d43803613469dc/Screenshot-2023-05-09-at-10.18.05.png" data-mid="178158201" border="0"  src="https://freight.cargo.site/w/706/i/9b3624847c95587713a20aeccc15d24d3b64eaf187ff23fb44d43803613469dc/Screenshot-2023-05-09-at-10.18.05.png" /&#62;

🌸🌸 S2E2 ON MODELS 🌸🌸
writing imagesdouble articulation: the scene and the fold, you and ai
thursdays at UIBK at 11.00, StudioZwei and on ZOOM ID: 526 229 0223


Fold the Movie. Stage the text.&#38;nbsp;
Stage the Movie. Fold the text. &#38;nbsp;
Find the objects. 
Invent the rooms.
Give it a Face.


The model creates a ground in the abstract, a few points which one can reach in the darkness. It helps us to articulate abstract ideas that would otherwise remain unreachable and hidden. The model lies between abstract conceptions and contingent realities. It is a testing ground, rather than a direct representation of reality, a bridge between theory and praxis, observation and insight, empirics and logics, sensory experience and abstract mathematical insight.

William of BaskervilleGoesSilicone Valley
💎 Read the text, look at the panoramas, watch the movie.
💎 Figure out the face, its context, its cityness, its friends, enemies, desires, aspirations, fears, colors, lights, textures, proportions, tempers...
💎 Invent the rooms, their textures, atmospheres, talks, smells, colours, objects, views, and doors, materials, lights...


Public Face

Facades, roofs, openingsRelations to the neighbors ‘Private’ Compartitions
Spaces with their ceilings, openings, proportions, actions, humors
Spaces with their colors, textures, floors, lights, shadows, temperatures

Make the fold, Make the scene.
Make it synthetic, Make it fake.
&#60;img width="880" height="614" width_o="880" height_o="614" data-src="https://freight.cargo.site/t/original/i/cbf3c94545de236f9cc853c00397074f76a898b2b7bcf59cf0955a8e594633ad/Screenshot-2023-05-09-at-10.18.43.png" data-mid="178158212" border="0"  src="https://freight.cargo.site/w/880/i/cbf3c94545de236f9cc853c00397074f76a898b2b7bcf59cf0955a8e594633ad/Screenshot-2023-05-09-at-10.18.43.png" /&#62;

DELIVERABLES
Scenes and Folds (search0more&#38;nbsp;/&#38;nbsp;blender&#38;nbsp;/ tutorial + + / scene)


blog (list of blogs)


INTERIOR SCENEs
- collect 50 objects (textures, images, models, videos…)&#38;nbsp; / use search0more, internet, midjurney, your phone...
- make the fold: textures, proportions, openings and their views

- articulate the scene: animate the fold, make a scenography


 EXTERIOR SCENEs
- collect 50 objects (textures, images, models, videos…)&#38;nbsp; / use search0more, internet, midjurney, your phone......
- make the fold: textures, proportions, openings and their views
- articulate the scene: animate the fold, make a scenography, look at the context


THE PLENTY
search0more
midjurney
xenotheka
ask.alice-ch3n81
ngram
etymonline
thesaurus
libgen
panoramas of cinema


YOUTUBE
HCO
ATTP
CAAD

SITE
San Jose, CA 95112, United States (37.337162, -121.884772)

SCHEDULE
cycle 8. &#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; 11.05.2023 at 11.00&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
S2E2 Introduction miro part1&#38;nbsp; part2&#38;nbsp; presentation.pdf&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Guest Talk at 16.00: Kulturfolger Petra Tomljanovic: Convivio recordingcycle 9. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 18.05.2023 moved to 17.05.2022 at 11.00 part1&#38;nbsp;part2 cycle 10. &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;25.05.2023 at 11.00 part1 part2cycle 11. &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; 01.06.2023 at 11.00 part1 part2 part308.06.2023 -----------online zoom on apointment part1 part2cycle 12.&#38;nbsp; &#38;nbsp; &#38;nbsp; 15.06.2023 at 11.00 part1 part2cycle 13.&#38;nbsp; &#38;nbsp; &#38;nbsp; 21.06.2023 at 09.30 part1 part2cycle 14.&#38;nbsp; &#38;nbsp; &#38;nbsp; 29.06.2023 Final Presentation

🌸️ FINAL REVIEWS 
29.06.2023&#38;nbsp; at 11.00 with Vera&#38;nbsp;Bühlmann,&#38;nbsp;Ricardo Villa,&#38;nbsp;Agostino Nickl, Andreas Körner,&#38;nbsp;Gonzalo Vaíllo,&#38;nbsp;Anirudhan Iyengar, and Miro Roman

&#38;nbsp; &#38;nbsp; 11.00&#38;nbsp; &#38;nbsp; Introduction

11.15&#38;nbsp; &#38;nbsp; &#38;nbsp;Acar Tamer
12.00&#38;nbsp; &#38;nbsp; Kahlert Antonia Michelle&#38;nbsp;
12.45&#38;nbsp; &#38;nbsp; Özkan Muhammed Atakan&#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; 

13.30&#38;nbsp; &#38;nbsp; Lunch 

14.15&#38;nbsp; &#38;nbsp; Hofer Philipp &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
15.00&#38;nbsp; &#38;nbsp; Schönberger Christin&#38;nbsp;
15.45&#38;nbsp; &#38;nbsp; Wiktoria Sadlo&#38;nbsp;
16.30&#38;nbsp; &#38;nbsp; Rajkovic Vladimir&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

17.30&#38;nbsp; &#38;nbsp; Guest Talk: Vera Bühlmann &#38;nbsp; &#38;nbsp; 

19.30&#38;nbsp; &#38;nbsp; Apero


&#60;img width="798" height="528" width_o="798" height_o="528" data-src="https://freight.cargo.site/t/original/i/316054fedef3997e737db048d30db12a907100c1db4ddf10687408cd7f6083c0/Screenshot-2023-05-09-at-10.18.58.png" data-mid="178158224" border="0"  src="https://freight.cargo.site/w/798/i/316054fedef3997e737db048d30db12a907100c1db4ddf10687408cd7f6083c0/Screenshot-2023-05-09-at-10.18.58.png" /&#62;


 </description>
		
	</item>
		
		
	<item>
		<title>S1 parasite</title>
				
		<link>https://0more.net/S1-parasite</link>

		<pubDate>Fri, 04 Mar 2022 07:21:45 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

		<guid isPermaLink="true">https://0more.net/S1-parasite</guid>

		<description>
S1✨️PARASITE&#38;nbsp;✨️✨️


&#60;img width="1132" height="1132" width_o="1132" height_o="1132" data-src="https://freight.cargo.site/t/original/i/b36ae696498621fb8b73f0c0928921eee69efad72d2fd4d692a10c097c538345/tumblr_5a71c2286dd3ce21404d1668771dc0d0_94c9b031_2048.jpg" data-mid="138923613" border="0" data-rotation="-20" alt="FALL FOR ME" data-caption="FALL FOR ME" src="https://freight.cargo.site/w/1000/i/b36ae696498621fb8b73f0c0928921eee69efad72d2fd4d692a10c097c538345/tumblr_5a71c2286dd3ce21404d1668771dc0d0_94c9b031_2048.jpg" /&#62;
&#60;img width="598" height="598" width_o="598" height_o="598" data-src="https://freight.cargo.site/t/original/i/112c5c943fdab2c13501c70cf2d3fe0793aab3b73a050f3feda282398a075b78/tumblr_7cfb6614934600663f5cadf5e6bc463c_84885c18_2048.jpg" data-mid="138923394" border="0" data-rotation="-12.5" alt="THE SECRET OF THE BOURDAINCLUB" data-caption="THE SECRET OF THE BOURDAINCLUB" src="https://freight.cargo.site/w/598/i/112c5c943fdab2c13501c70cf2d3fe0793aab3b73a050f3feda282398a075b78/tumblr_7cfb6614934600663f5cadf5e6bc463c_84885c18_2048.jpg" /&#62;
&#60;img width="520" height="520" width_o="520" height_o="520" data-src="https://freight.cargo.site/t/original/i/306b8c921ebb6299fb3d33b23fe12b3701a14d76372004ce4576b634f660bb01/tumblr_b3196ca6a193412cc3f1c465084b2b99_14133696_2048.jpg" data-mid="146709225" border="0" data-rotation="10" alt="EATING THE UNIVERSE" data-caption="EATING THE UNIVERSE" src="https://freight.cargo.site/w/520/i/306b8c921ebb6299fb3d33b23fe12b3701a14d76372004ce4576b634f660bb01/tumblr_b3196ca6a193412cc3f1c465084b2b99_14133696_2048.jpg" /&#62;


&#60;img width="605" height="605" width_o="605" height_o="605" data-src="https://freight.cargo.site/t/original/i/9546c5c656a521aafd519c4a5f70ef855cbbfde86b600fd0159c35e2b3dfc333/tumblr_c057e20b3670c144d89eec07967fab04_c63da8ab_2048.jpg" data-mid="138923945" border="0" data-rotation="15" alt="A TRAVELLING HOST" data-caption="A TRAVELLING HOST" src="https://freight.cargo.site/w/605/i/9546c5c656a521aafd519c4a5f70ef855cbbfde86b600fd0159c35e2b3dfc333/tumblr_c057e20b3670c144d89eec07967fab04_c63da8ab_2048.jpg" /&#62;
&#60;img width="720" height="720" width_o="720" height_o="720" data-src="https://freight.cargo.site/t/original/i/a944ac6ff36805811a2a349d9e25716136ace7fb82c8bf87d1debc3d863b271a/THE-GODS-WERE-ALWAYS-EATING.png" data-mid="141733510" border="0" data-rotation="-5" alt="THE GODS WERE ALWAYS EATING" data-caption="THE GODS WERE ALWAYS EATING" src="https://freight.cargo.site/w/720/i/a944ac6ff36805811a2a349d9e25716136ace7fb82c8bf87d1debc3d863b271a/THE-GODS-WERE-ALWAYS-EATING.png" /&#62;
&#60;img width="2129" height="2129" width_o="2129" height_o="2129" data-src="https://freight.cargo.site/t/original/i/528b82462cf091a5cdecd6d621d9c0a51240898df6f5e8a099e0ffa9b972f08b/tumblr_f31b32dc3927a07a2b3a1171d130401d_e3403b46_2048.jpg" data-mid="146709570" border="0" data-rotation="-2.5" alt="UNDER THE INK" data-caption="UNDER THE INK" src="https://freight.cargo.site/w/1000/i/528b82462cf091a5cdecd6d621d9c0a51240898df6f5e8a099e0ffa9b972f08b/tumblr_f31b32dc3927a07a2b3a1171d130401d_e3403b46_2048.jpg" /&#62;
&#60;img width="1152" height="1152" width_o="1152" height_o="1152" data-src="https://freight.cargo.site/t/original/i/965a5820c75b2ea835f0f79fd6c11fa06c59874e36a858704d65be3d137c7e9e/tumblr_6baab397c4142197c54028f1d9a99306_28c69cd5_2048.png" data-mid="162356882" border="0" data-rotation="27.5" alt="THE ELEVATOR" data-caption="THE ELEVATOR" src="https://freight.cargo.site/w/1000/i/965a5820c75b2ea835f0f79fd6c11fa06c59874e36a858704d65be3d137c7e9e/tumblr_6baab397c4142197c54028f1d9a99306_28c69cd5_2048.png" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a6f98561d721caac422b4456ba8addcfcd3c068691be009dcb9c7e8ac86c6f0d/tumblr_d361c8cd256ffbc6f0d5c58e7f672a6b_4980ff61_2048.png" data-mid="166033036" border="0" alt="ROOM FOR AN ANGLE" data-caption="ROOM FOR AN ANGLE" src="https://freight.cargo.site/w/1000/i/a6f98561d721caac422b4456ba8addcfcd3c068691be009dcb9c7e8ac86c6f0d/tumblr_d361c8cd256ffbc6f0d5c58e7f672a6b_4980ff61_2048.png" /&#62;
&#60;img width="915" height="915" width_o="915" height_o="915" data-src="https://freight.cargo.site/t/original/i/82997e37f55de27860c7801eb1b73c997021f2328c0593c02bb5086e1053a032/tumblr_8f05338fdd6bc8656099b2d94a7ee200_afa6f09b_2048.jpg" data-mid="166033378" border="0" data-rotation="-12.5" alt="GARDENING THE EDGE" data-caption="GARDENING THE EDGE" src="https://freight.cargo.site/w/915/i/82997e37f55de27860c7801eb1b73c997021f2328c0593c02bb5086e1053a032/tumblr_8f05338fdd6bc8656099b2d94a7ee200_afa6f09b_2048.jpg" /&#62;

	
PARASITE&#38;nbsp;
Anthony Bourdain
300 m2One block
Hong Kong

It is a fully connected world.
We are all here, it is noisy, crowded,
full of hosts and guests, subjects and objects,
all parasites.

We talk, 
We hear, 
We think,
We remember everything.

What to say?
Who to listen to?
How to reason? 
I want to forget&#38;nbsp; :)

The figure of the parasite will help us to take a stance and have a face. Architecture is our stage, the parasite is the essence of relations. One parasite hosts the other.

Anthony Bourdain gets a Carte Blanche to invent a 300 m2 project in one of the Mong Kok blocks in Hong Kong (22.315753481875348, 114.16969824182289). In return, he should host the block owner whenever he appears.


Students:&#38;nbsp;Angenend Marina Simone, Dunkake Hannah, Ferstl Hanna, Heumader Franz-Adrian, Marzelli Rudolf Leonhard, Matthaei Jakob, Niederholzer Tobias, Scheuring Julian Felix, Ziernhöld Erja, Valeria WittHosted By: Jorge Orozco and Miro Roman

RESOURCES:
🔗 S1E1 - on brands
🔗 S1E2 - on figures
🔗 S1E3 - on models
🔗 S1E4 - on relations

🔗 STUDENT PRESENTATIONS
🔗 29.06. GUEST TALK Agostino Nickl: MetaversalMatters🔗 17.03.22 &#38;nbsp;guest talk Adil BOKHARI: &#38;nbsp;Diorama: The Theatricality of Perspective&#60;img width="1768" height="2500" width_o="1768" height_o="2500" data-src="https://freight.cargo.site/t/original/i/dc32831e71b970347feab0447a40c80a1b085210796e887be77583783171e828/parasite_s.png" data-mid="135284604" border="0"  src="https://freight.cargo.site/w/1000/i/dc32831e71b970347feab0447a40c80a1b085210796e887be77583783171e828/parasite_s.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>s1e1</title>
				
		<link>https://0more.net/s1e1</link>

		<pubDate>Fri, 04 Mar 2022 20:05:31 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

		<guid isPermaLink="true">https://0more.net/s1e1</guid>

		<description>


&#60;img width="1578" height="620" width_o="1578" height_o="620" data-src="https://freight.cargo.site/t/original/i/d45f201ebd3ab955725b06102e0fffcae253aa9748eb6cc4cf3d80b917aa4eab/Screenshot-2022-03-07-at-12.38.38.png" data-mid="135537721" border="0"  src="https://freight.cargo.site/w/1000/i/d45f201ebd3ab955725b06102e0fffcae253aa9748eb6cc4cf3d80b917aa4eab/Screenshot-2022-03-07-at-12.38.38.png" /&#62;

E1 ON BRANDSa movie sets the stage, the parasite emerges
thursdays at UIBK, StudioZwei and on ZOOM ID:92698373423


The parasite is everywhere.


And the parasite appears.


The parasite seeks rarity.


This parasite is fundamental.


The parasite was inevitable.


What is a parasite?


The parasite doesn’t stop.


Parabola, parable, parasite.


Anthony Bourdain gets a Carte Blanche to invent a 300 m2 project in one of the Mong Kok blocks in Hong Kong (22.315753481875348, 114.16969824182289). In return, he should host the block owner whenever he appears.


IT IS A TRAILER FOR THE PROJECT,


Or A Video Essay.


START FROM THE PLENTY.


PUT IT ALL ON THE TABLE.


Anthony Bourdain, 300 m2, One block, Hong Kong, Parasite.

Topics, Characters, Locations, Rooms, Dramas.


Write an essay 


Make The video


Put them together.


Make a video for Anthony Bourdain’s new brand in Hong Kong.

5 min-long with 500 words.


&#60;img width="1196" height="498" width_o="1196" height_o="498" data-src="https://freight.cargo.site/t/original/i/a35ec817e24582421fa4c5664bf8f5da34e73966542e1d17dc66c5fcc5be2aff/Screenshot-2022-03-07-at-12.39.45.png" data-mid="135537722" border="0"  src="https://freight.cargo.site/w/1000/i/a35ec817e24582421fa4c5664bf8f5da34e73966542e1d17dc66c5fcc5be2aff/Screenshot-2022-03-07-at-12.39.45.png" /&#62;

ASSIGNMENT
DELIVERABLESmovie (tutorial voice and&#38;nbsp;video, video)blog (tutorial and list of blogs)examples (voice and video)

THE PLENTY
xenotheka
ask.alice-ch3n81
ngram
etymonline
thesaurus
libgenpanoramas of cinemaserres, the parasite
bourdain, tv shows and books
YOUTUBE
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; HCO
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ATTP
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; CAAD

SITE
mong kok, hong kong (22.315753481875348, 114.16969824182289)

SCHEDULE
10.03.22 (10.00-18.00) cycle0more and the plenty (RECORDINGS)17.03.22 (12.00-16.00) - reading THUMBELINA, guest talk by ADIL BOKHARI&#38;nbsp;(RECORDINGS)
24.03.22 (10.00-18.00) cycle 1&#38;nbsp;(RECORDINGS)31.03.22 (12.00-16.00)- reading PARASITE, (RECORDINGS)
07.04.22 (10.00-18.00) cycle 2&#38;nbsp;(RECORDINGS)28.04.22 (12.00-16.00) - reading PARASITE, reviews of projects&#38;nbsp;(RECORDINGS)

05.05.22 (10.00-18.00) cycle 3 E1 review with Helen Palmer,&#38;nbsp;Uwe Brunner,&#38;nbsp;Dominic Schwab, Adil Bokhari, Jorge Orozco, and Miro Roman&#38;nbsp;(RECORDINGS)

&#60;img width="3086" height="908" width_o="3086" height_o="908" data-src="https://freight.cargo.site/t/original/i/625865ed368fc87df0a3ae9b4089e2d2ae076379b23ebc7251a67eea9605bfc7/Screenshot-2022-03-07-at-12.40.24.png" data-mid="135537723" border="0"  src="https://freight.cargo.site/w/1000/i/625865ed368fc87df0a3ae9b4089e2d2ae076379b23ebc7251a67eea9605bfc7/Screenshot-2022-03-07-at-12.40.24.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>s1e2</title>
				
		<link>https://0more.net/s1e2</link>

		<pubDate>Thu, 12 May 2022 06:44:22 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

		<guid isPermaLink="true">https://0more.net/s1e2</guid>

		<description>


&#60;img width="3008" height="1126" width_o="3008" height_o="1126" data-src="https://freight.cargo.site/t/original/i/480929fdf6a70b7c6992aa676cac4c138744588d70c3f0b0843f57edd4f6839a/Screenshot-2022-05-12-at-09.16.17.png" data-mid="142374712" border="0"  src="https://freight.cargo.site/w/1000/i/480929fdf6a70b7c6992aa676cac4c138744588d70c3f0b0843f57edd4f6839a/Screenshot-2022-05-12-at-09.16.17.png" /&#62;

E2 ON FIGUREStext and images figure out, the parasite plays
thursdays at UIBK, StudioZwei and on ZOOM ID:92698373423


Unfold the Movie. Enter the house.&#38;nbsp;
Make a catalogue of your house. 
Text is its constitution. 
Panoramas are its temperaments.


Text unfolds the brand.&#38;nbsp;Text figures out figures.&#38;nbsp;Figures inhabit, Figures constitute.&#38;nbsp;Text is one face of an architectural crystal.&#38;nbsp;Text is a compass for navigation, direction in design.&#38;nbsp;Text comes from the plenty, from a library in love with architecture and thinking.&#38;nbsp;Xenotheka is the library.&#38;nbsp;Xenotheka hosts books and concepts, they are alive.&#38;nbsp;Xenotheka talks if one asks a question.&#38;nbsp;Xenotheka is as smart as the question.&#38;nbsp;One writes together with prominent architects, philosophers and scientists.&#38;nbsp;One writes by talking to more than 1000 books.&#38;nbsp;One writes in someone else’s terms.&#38;nbsp;One writes with Xenotheka.
Content of the text, Format of the text, Voice of the text.
1500 words, min 20 references.

Images show the building that Anthony wants to have. One presents with examples what the public face, compartition, walls, roofs and openings may look like. With millions of images from Panoramas of Cinema, one qualifies the spaces of Anthony’s new building in Hong Kong.
The face of the building, the spaces of the building, the qualities of the spaces.
Two panoramas of images per space, min.
From the catalog, the body of the building will be engendered. 


TABLE OF CONTENTS

Introduction

Public Face
Facades, roofs, openingsRelations to the neighbors Private Compartition
Spaces with their ceilings, openings, proportions, actions, humors
Spaces with their colors, textures, floors, lights, shadows, temperatures
Archeology

&#60;img width="3071" height="548" width_o="3071" height_o="548" data-src="https://freight.cargo.site/t/original/i/5dece544ce5317e060f3840eb06b2f2bfa369a42edb59cea2100d9e95a0a4d3a/icon-05_12_12_06_37.png" data-mid="142396573" border="0"  src="https://freight.cargo.site/w/1000/i/5dece544ce5317e060f3840eb06b2f2bfa369a42edb59cea2100d9e95a0a4d3a/icon-05_12_12_06_37.png" /&#62;

DELIVERABLEScatalogue&#38;nbsp; &#38;nbsp; 
text (examples, ito, ff, PAB)&#38;nbsp;


&#38;nbsp; &#38;nbsp; panoramas of images from PoC (examples •&#38;nbsp;•&#38;nbsp;• • •)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; images of the building’s current state&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; images from any online source

blog (list of blogs)

THE PLENTY
xenotheka
ask.alice-ch3n81
ngram
etymonline
thesaurus
libgenpanoramas of cinemaserres, the parasite
bourdain, tv shows and books
YOUTUBE
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; HCO
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ATTP
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; CAAD

SITE
mong kok, hong kong (22.315753481875348, 114.16969824182289)

SCHEDULE

12.05.22 (13.00-17.00) - e2 introduction (RECORDINGS)19.05.22 (10.00-18.00) - cycle 4&#38;nbsp;(RECORDINGS)
02.06.22 (10.00-18.00) - cycle 5 (RECORDINGS)09.06.22 (14.00-18.00) -  reading PARASITE (online meeting)23.06.22 (10.00-18.00) - cycle 6&#38;nbsp;(RECORDINGS)

30.06.22 (10.00-18.00) -  cycle 7 E2 review with Nikola Marincic, Riccardo M. Villa, Anirudhan Iyengar, hosted by Jorge Orozco and Miro Roman


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 10.00-10.30 &#38;nbsp; introduction
 10.30-13.30&#38;nbsp; &#38;nbsp;
Scheuring Julian Felix

Angenend Marina Simone

Heumader Franz-Adrian

Ferstl Hanna

 13.30-14.30&#38;nbsp; &#38;nbsp;lunch

14.30-16.00&#38;nbsp; &#38;nbsp;Matthaei Jakob

Dunkake Hannah

Marzelli Rudolf Leonhard


16.00-16.30&#38;nbsp; &#38;nbsp;coffee16.30-17.30 
Ziernhöld ErjaNiederholzer Tobias


&#60;img width="360" height="360" width_o="360" height_o="360" data-src="https://freight.cargo.site/t/original/i/2da0af6478cf3b390bd7dddf34f6e4e1aa5e262b95919a947031aec5823bc872/anthonyHK-120.gif" data-mid="147509251" border="0"  src="https://freight.cargo.site/w/360/i/2da0af6478cf3b390bd7dddf34f6e4e1aa5e262b95919a947031aec5823bc872/anthonyHK-120.gif" /&#62;
&#60;img width="360" height="360" width_o="360" height_o="360" data-src="https://freight.cargo.site/t/original/i/7a8db851faf578d4ae2fbfe8b07f2f1ee702c412152ed9ff3a1df5e12fa45b35/anthonyHK-0.gif" data-mid="147509247" border="0"  src="https://freight.cargo.site/w/360/i/7a8db851faf578d4ae2fbfe8b07f2f1ee702c412152ed9ff3a1df5e12fa45b35/anthonyHK-0.gif" /&#62;
&#60;img width="360" height="360" width_o="360" height_o="360" data-src="https://freight.cargo.site/t/original/i/9fe217b30f56c696bfed5b7a24ce168a6a1bbab54ad2803d54129dff5d8dfd42/anthonyHK-30.gif" data-mid="147509248" border="0"  src="https://freight.cargo.site/w/360/i/9fe217b30f56c696bfed5b7a24ce168a6a1bbab54ad2803d54129dff5d8dfd42/anthonyHK-30.gif" /&#62;
&#60;img width="360" height="360" width_o="360" height_o="360" data-src="https://freight.cargo.site/t/original/i/f92227e9055326ff24a96b007caf7d5141b17a993198d8da374b3aef3e7c9ec9/anthonyHK-105.gif" data-mid="147509250" border="0"  src="https://freight.cargo.site/w/360/i/f92227e9055326ff24a96b007caf7d5141b17a993198d8da374b3aef3e7c9ec9/anthonyHK-105.gif" /&#62;
&#60;img width="360" height="360" width_o="360" height_o="360" data-src="https://freight.cargo.site/t/original/i/583e470fca423ed1b7a6e47dcae7c91c29f71cc9ccdca381f5c2055d34ccdf00/anthonyHK-90.gif" data-mid="147509249" border="0"  src="https://freight.cargo.site/w/360/i/583e470fca423ed1b7a6e47dcae7c91c29f71cc9ccdca381f5c2055d34ccdf00/anthonyHK-90.gif" /&#62;
&#60;img width="360" height="360" width_o="360" height_o="360" data-src="https://freight.cargo.site/t/original/i/8667ce38221032b8db03abab368d26a626c629389a0579156e6ef9546035eb13/anthonyHK-180.gif" data-mid="147509252" border="0"  src="https://freight.cargo.site/w/360/i/8667ce38221032b8db03abab368d26a626c629389a0579156e6ef9546035eb13/anthonyHK-180.gif" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>s1e3</title>
				
		<link>https://0more.net/s1e3</link>

		<pubDate>Wed, 05 Oct 2022 19:01:47 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

		<guid isPermaLink="true">https://0more.net/s1e3</guid>

		<description>

&#60;img width="1150" height="502" width_o="1150" height_o="502" data-src="https://freight.cargo.site/t/original/i/b5589225adb6d4aeb6ee6983d7349fb057ae1a8c82ee5100c1a1764bd61c6b7e/models.png" data-mid="154971072" border="0"  src="https://freight.cargo.site/w/1000/i/b5589225adb6d4aeb6ee6983d7349fb057ae1a8c82ee5100c1a1764bd61c6b7e/models.png" /&#62;

E3 ON MODELSdouble articulation: the scene and the fold
thursdays at UIBK, StudioZwei and on ZOOM ID:92698373423


🌸🌸 search.0more.net LAUNCH!!!&#38;nbsp;🌸🌸


Fold the Movie. Stage the text.&#38;nbsp;
Stage the Movie. Fold the text. &#38;nbsp;
Find the objects. 
Invent the rooms.
Give it a Face.


The model creates a ground in the abstract, a few points which one can reach in the darkness. It helps us to articulate abstract ideas that would otherwise remain unreachable and hidden. The model lies between abstract conceptions and contingent realities. It is a testing ground, rather than a direct representation of reality, a bridge between theory and praxis, observation and insight, empirics and logics, sensory experience and abstract mathematical insight.

Anthony hosts figures.Hong Kong brands guests.The parasite unfolds.
💎 Read the text, look at the panoramas, watch the movie.
💎 Figure out the face, its context, its friends, enemies, desires, aspirations, fears, colors, lights, textures, proportions, tempers...
💎 Invent the rooms, their textures, atmospheres, talks, smells, colours, objects, views, and doors, materials, lights...


Public Face

Facades, roofs, openingsRelations to the neighbors Private Compartitions
Spaces with their ceilings, openings, proportions, actions, humors
Spaces with their colors, textures, floors, lights, shadows, temperatures

Make the fold, Make the scene.
Make it synthetic, Make it fake.
&#60;img width="940" height="258" width_o="940" height_o="258" data-src="https://freight.cargo.site/t/original/i/30b53fd43562ca99a0ecd64d758641828385045837c3eb7a41023c8c8d97b21b/38248290_403.jpg" data-mid="154973309" border="0"  src="https://freight.cargo.site/w/940/i/30b53fd43562ca99a0ecd64d758641828385045837c3eb7a41023c8c8d97b21b/38248290_403.jpg" /&#62;

DELIVERABLES
Scenes and Folds (search0more&#38;nbsp;/&#38;nbsp;blender&#38;nbsp;/ tutorial + + / scene)


blog (list of blogs)


INTERIOR SCENEs
- collect 50 objects (textures, images, models, videos…)&#38;nbsp; / use search0more, internet...
- make the fold: textures, proportions, openings and their views

- articulate the scene: animate the fold, make a scenography


 EXTERIOR SCENEs
- collect 50 objects (textures, images, models, videos…)&#38;nbsp; / use search0more, internet...
- make the fold: textures, proportions, openings and their views
- articulate the scene: animate the fold, make a scenography, look at the context


THE PLENTY
search0more
xenotheka
ask.alice-ch3n81
ngram
etymonline
thesaurus
libgen
panoramas of cinema
serres, the parasite
bourdain, tv shows and books

YOUTUBE
HCO
ATTP
CAAD

SITE
mong kok, hong kong (22.315753481875348, 114.16969824182289)

SCHEDULE

06.10.22 (10.00-18.00) - e3 introduction (RECORDINGS 1 2 3 4 &#38;amp;&#38;nbsp;STORIES)13.10.22 (13.00-18.00) - cycle 8 (REC 1&#38;nbsp; 2)
20.10.22 (10.00-18.00) - cycle 9 (REC 1[+tutorial] 2&#38;nbsp;blender)27.10.22 (12.00-15.00) -  reading PARASITE (3rd chapter  Fat Cows and Lean Cows with Petra Tomljanovic) (REC)03.11.22 (10.00-18.00) - cycle 10 (REC 1 2)&#38;nbsp;


10.11.22 (13.00-18.00) - cycle 11 (REC 1 2)


17.11.22&#38;nbsp;(10.00-18.00) -  cycle 12&#38;nbsp;E3 review with Nikola Marincic, Agostino Nickl, Eleni Palles, Anirudhan Iyengar, and Katia Ageeva hosted by Jorge Orozco and Miro Roman (REC 1 2 3 4)&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 10.00-10.30 &#38;nbsp; introduction10.30-13.30&#38;nbsp; &#38;nbsp;Scheuring Julian FelixAngenend Marina SimoneHeumader Franz-AdrianFerstl Hanna13.30-14.30&#38;nbsp; &#38;nbsp;lunch14.30-16.00&#38;nbsp; &#38;nbsp;Matthaei JakobDunkake HannahMarzelli Rudolf Leonhard16.00-16.30&#38;nbsp; &#38;nbsp;coffee16.30-18.00&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp;Valeria Witt&#38;nbsp;

Ziernhöld ErjaNiederholzer Tobias


&#60;img width="670" height="208" width_o="670" height_o="208" data-src="https://freight.cargo.site/t/original/i/3f70229bbb8af0659b2ab8c10d147b10b70f1c6a53c3623b64942cad883a9de7/The-Belly-of-An-Architect-1987.jpg" data-mid="154973368" border="0"  src="https://freight.cargo.site/w/670/i/3f70229bbb8af0659b2ab8c10d147b10b70f1c6a53c3623b64942cad883a9de7/The-Belly-of-An-Architect-1987.jpg" /&#62;


 </description>
		
	</item>
		
		
	<item>
		<title>s1e4</title>
				
		<link>https://0more.net/s1e4</link>

		<pubDate>Tue, 22 Nov 2022 19:07:11 +0000</pubDate>

		<dc:creator>0MORE</dc:creator>

		<guid isPermaLink="true">https://0more.net/s1e4</guid>

		<description>

&#60;img width="1924" height="382" width_o="1924" height_o="382" data-src="https://freight.cargo.site/t/original/i/e012c027abcef6cd4ddb08f2e19b0ece8848836a4e1f42657a6e9cfcf4d0e40e/Screenshot-2022-11-22-at-21.38.27.png" data-mid="159886700" border="0"  src="https://freight.cargo.site/w/1000/i/e012c027abcef6cd4ddb08f2e19b0ece8848836a4e1f42657a6e9cfcf4d0e40e/Screenshot-2022-11-22-at-21.38.27.png" /&#62;

E4 ON RELATIONSI link therfore i am.
thursdays at UIBK, StudioZwei and on ZOOM ID:92698373423

weave it all together&#38;nbsp;
calibrate
tune
relate
link
cut
trim
tune :)
anthony
hong kong
parasite
title
image
trailer
constitution

brandsfigures
models
text
panoramas
dreams
scenes and folds
relations
pause for a moment :)
perform it
print it
record it


&#60;img width="3556" height="798" width_o="3556" height_o="798" data-src="https://freight.cargo.site/t/original/i/65e23069e6c02913063940b062051cc7449cfb7bd8cad2f6104862760767b443/Screenshot-2022-11-22-at-21.37.43.png" data-mid="159886742" border="0"  src="https://freight.cargo.site/w/1000/i/65e23069e6c02913063940b062051cc7449cfb7bd8cad2f6104862760767b443/Screenshot-2022-11-22-at-21.37.43.png" /&#62;


DELIVERABLES
presentation ( text&#38;nbsp;/ image / model )

blog (list of blogs)booklet&#38;nbsp;(pdf, physical)

with
OUT / PUBLIC / FACE / CONDENSATION / CONSTITUTION / IMAGEtitle, cover image of the blogvideo essay
public face of the building- establishing shot- unfolding
IN / PRIVATE / BODY / RADIATION / TREATIES / SCULPTURE
text
panoramas and dreams

private body of the building
- interior scenes- unfolding- section, plan or axonometry

CHECKLIST


︎0 Title + Cover Image

︎1 Text 

︎2 Trailer + its Text
︎3 PRESENTATION PLAN/DRAMATURGY / 

︎4 a) Establishing Shot + b) Unfolding + c) Panoramas + d) part of Text + e) Object Collection

︎5 Constitute your images/scenes (min 3)

a) IMAGE + b) Unfolding + c) Panoramas + d) part of Text + e) Object Collection 
︎6 SECTION /or/ PLAN /or/ AXONOMETRY

a) IMAGE + b) part of Text


THE PLENTY
search0more
xenotheka
ask.alice-ch3n81
ngram
etymonline
thesaurus
libgen
panoramas of cinema
serres, the parasite
bourdain, tv shows and bookshttps://openai.com/blog/chatgpt/


YOUTUBE
HCO
ATTP
CAAD


SITE
mong kok, hong kong (22.315753481875348, 114.16969824182289)

SCHEDULE
24.11.22 (13.00-18.00) - e4 introduction (rec 1 2)01.12.22 (10.00-18.00) - cycle 12 (rec 1 2)
15.12.22 (13.00-1800) - cycle 13 guest talk Agostino Nickl (rec 1 2)

christmas break
12.01.23 (10.00-18.00) - cycle 14 (rec 1 2) &#38;nbsp;19.01.23 (13.00-18.00) - cycle 15 (rec 1 2 3)


26.01.23 (10.00-18.00) - cycle 16 REVIEWS&#38;nbsp;with Ludger Hovestadt, Kathrin Aste, Karolin Schmidbaur, Adil Bokhari, and Anirudhan Iyengar hosted by Jorge Orozco and Miro Roman 10.00 - 10.30 Introduction


 10.30 - 11.30

Ziernhöld Erja

Scheuring Julian Felix


11.30-12.30

Matthaei Jakob 

Angenend Marina 


12.30 - 13.30 Lunch Break


13.30 - 14.30&#38;nbsp;

Valeria Witt 

Dunkake Hannah


14.30 - 15.30&#38;nbsp;

Heumader Franz-Adrian

Ferstl Hanna
15.30 - 16.00 Coffe Break


16.00 - 17.00

Marzelli Rudolf Leonhard

Niederholzer Tobias 


&#60;img width="3552" height="758" width_o="3552" height_o="758" data-src="https://freight.cargo.site/t/original/i/eb987459204b126e3f49167f9c50648a7ddca2709611a63d4149c54712f58f4f/Screenshot-2022-11-22-at-21.37.21.png" data-mid="159886760" border="0"  src="https://freight.cargo.site/w/1000/i/eb987459204b126e3f49167f9c50648a7ddca2709611a63d4149c54712f58f4f/Screenshot-2022-11-22-at-21.37.21.png" /&#62;


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